Analysis of Hemingways The Old Man and the Sea

outline of Hemingways The Old Man and the SeaA Five-Point Plan epitome + Theme DescriptionThe novel The Old Man and the Sea was compose by Ernest Hemingway. It foc utilizations on capital of Chile, an ageing and s dash offed fisher hu homosexuals who involutions with a extensive marlin in the GulfofMexico. The motifs in the theme include the lions on the beach and crucifixion.In the novel, capital of Chile frequently dreams about lions on the beach The first age is on the eve of his fishing jaunt, the second one happens when he sleeps amidst his trouble with the marlin, while the third occurs at end of the novel. The lions appear as cubs, symbolizing his youth. When they later appear as adults, they signify expectant nobility and strength. This provides capital of Chile with motivation, ambition and vitality that lead him toward accomplishing his purpose. These dreams suggest livings bill nature The harmony between opposing forces of nature, which are warmth and hate, life and death, and destruction and regeneration.The crucifixion imagery is an evident way in which capital of Chile is equated to Christ.Similar to Christ, capital of Chile is patient and humble. More over, the illustration of the old man struggling uphill with his mast on his shoulders resembles Christs walk toward Calvary. There is a name reflection of Christ on the cross when Santiago eventually lies vanquish on his bed, with his bleeding arms stretched out. The causality employs the crucifixion of Christ to defend transcendence by reversing defeat into triumph, loss into gain, and death into renewed life.The of import theme of the story is heroism. Santiago makes up for his age with his endurance to oblige hunger, disorder and isolation. He does non blame the sharks for snatching the marlin, nonwithstanding he acknowledges that it is his drift to stomach ventured far inward into the ocean. As a fisher who has caught no fish in 84 days, Santiago is fighting against defeat. However, he does not yield because he bowel movements further into the sea than he has ever sailed before. He sputters with the marlin despite his exhaustion and pain. After catching it, he hope slightly fights kill the sharks. Whenever the situation gets difficult and he is threatened with despair, he uses various play to stimulate his opposition to defeat He recollects memories of his strength while he was young through dreams, and sometimes prays to God. Santiago has unlimited potentialities in the charge of danger. His potential is realized when he manages to get the giant marlin. However, the outcome is less signifi scum bagt than the struggle as he also chooses to battle with the sharks. As a result, it is not really Copernican that he brings the marlin post the important thing is he wins the battle, and aft(prenominal) the struggle he becomes a hero.The storys black hole is a man can be destroyed tho not defeated. Santiago symbolizes every mans battle to surv ive. Just like Santiagos attempt to take the marlin to the mainland intact is unsuccessful, no man can escape death. However, through Santiagos struggle, the author illustrates that escaping from death is not the major concern. Santiago sees the words, a man can be destroyed but not defeated close to the end of his tussle with the marlin. That is to say, victory over the unavoidable does not define a man. Rather, it is his struggle against the inevitable that defines him.Annotated BibliographyMelling, Philip. cultural Imperialism, Afro-Cuban Religion, and Santiagos Failure in Hemingways The Old Man and the Sea. Hemingway Review 26.1 (2006) 6-24.According to the Melling, the struggle with the sharks is a significant moment, as Santiago uses a wrecked oar to reproof them. Santiagos wish to use a baseball bat instead is crucially important. This consultation is resourceful, because instead of dramatizing the symbolic and sacred wooden tool of the Afro-Cuban culture, the author uses Santiago to relive the actions of Joe DiMaggio who was an American baseball hero. DiMaggio was a pekans son, and as a child he used to sneak from blank space to practice with a broken oar at nearby sandlots. Although Santiago does not possess DiMaggios skills, his mind works like that of a baseball player. DiMaggio was prevalent during the World War II, and his importance was reminded to Americans through a song strain by Lee Browns band. Santiagos interest in DiMaggio was deep, and was the outcome of numerous media coverage during the post-war period.Burhans Clinton S. The Old Man and the Sea Hemingways Tragic Vision of Man. American literary productions 31.4 (1960) 446.According to this source, out at sea, Santiago as a fisherman gains deep insight of himself and of his relationship with the world around him. He views the sea as a woman who drops or withholds great favors. He develops experience and love for all creatures around him who share dangerous and unpredictable l ives. His deepest love for the marlin arises when he recognizes that he must capture it for his profession and pride, and not for his sensible need. The author is comprehensive and uses vivid imagery to show that unlike some(prenominal) other fish, the marlin was more of a sense of smellual entity in Santiagos eyes than a mere physical necessity. He shows that the marlin is Santiagos worthy opponent. Santiago ultimately kills the marlin because he feels that they are now equals and that the marlin is his brother. The author claims Santiago has a sense of guilt and loneliness for sailing inwards into the sea, only to kill fish that he loved dearly. He believes he betrayed the fish and goes home with an empty sense of victory.Baskett, Sam S. Toward a Fifth Dimension in The Old Man and the Sea. The Centennial Review 19.4 (1975) 269-286.Baskett gives a detailed outline of The Old Man and the Sea starting from biblical allusions to the aura of strangeness possessed by Santiago, whic h he claims contributes to Hemingways fifth dimensional prose. Baskett lists several(prenominal) examples of how Hemingway uses fifth dimensional prose, such as how Santiago is rarely referred to as Santiago but often referred to as the old man. This source is detailed because he begins to explain the biblical allusions found in Hemingways novel. Many comparisons made are between passages in the bible and the Santiagos dreams about the lions are clear.Psychoanalytic Critical Theory AnalysisThe Old Man and the Sea is a simple story, but has a deeper message. It speaks of a mans existence, where tenacity, pride, respect and dreams drive his mission to expand in the presence of struggle. It is about Santiagos unconquerable spirit because he stands as a representation of a mind-set toward life, and his expedition offers many lessons.Firstly, a man is not made for defeat. The old man has nothing but a dilapidated shed and a indistinct skiff. His skin illustrates his hardships as it is marked with scars, wrinkles and blotches from the sun. Instead of giving up after 84 days of not catching any fish, he sails further into the Gulf. A man continues to do whatever he must do to the best of his ability, no matter what tribulations befall him. While challenges and setbacks can moorage a man of all outward signs of success, still his spirit can remain undefeated. For it can will a man to never give up and to keep on trying.Secondly, a man should not bet on luck. In Santiagos small Cuban fishing village, he is called salao, which is the worst kind of bad luck. This makes him an outsider and it costs him his partner, Manolin, whose parents baffle him from fishing with him. While Santiago suffers from hunger and poverty, other fishermen successfully have good fish harvests every day. The story shows that anyone can have luck, but not everybody can have perseverance, skill and determination. Santiago knows this and he believes in his ability and not chance.Santiago belie ved that it was better to be lucky, but he preferred to exact.Thirdly, a man must bear hardship and pain without complaint. At sea, Santiago is faced with the greatest challenge that comes in the figure of speech of a huge marlin. Near the edge of his fatigue, his left hand is late cut. He washes the cut using the seas salt water system and lets it dry in the sun. However, the hand refuses to heal and he is compelled to only use his right hand, against the marlin that is longer than his skiff. Santiago simplytakes his suffering as it comes. He is light but suffering, even thoughhe does not acknowledge the suffering at all.Finally, a man seeks inspiration from others. For Santiago, Joe DiMaggio is the person who motivates him. He has traits that Santiago admires and he reminds him that to be successful one has to put all of oneself into a task and track down under difficulty.ReviewThe Old Man and the Sea is a profligate and easy read, with outstanding characters and excellent pl ot.Written in 1952, it is one of Hemingways just about interesting works. Written in a language of great simplicity, it is the relation of an old Cuban fisherman, who is down on luck and in great suffering in a relentless and agonizing battle with an big marlin in the Gulf of Mexico. The author, Ernest Hemingway, recasts in a strikingly modern font climb, the untarnished theme of courage in the presence of defeat. While it is impressive that the inherent book tells a story that would usually just take a chapter in an ordinary book, it is also a great way to move the reader who wants something to take place outside of the boat. I would recommend this novel to my peers because of it is enjoyable to read.Pop Culture ConnectionOld Man and the Sea, is a rich showpiece of literature that is full of intended and assumed symbolism. It is a resource of pop culture The novel reflects a universal prototype of socioeconomic transformation familiar even today amongst developing countries. In rural Cuba during the 1930s and 1940s, the customary fishing culture that was isolated from the substantial world and bound to extended families and closely knit communities started shifting to the cloth advancement of a fishing industry that was reliant on the modern world for its livelihood. This modern fishing industry was dependent on motorize methods to guarantee profit, and was less bound to local communities and extended families.Inthe novel, the author depicts Santiago as a devoted fisherman whose expertise is fundamental to his identity, mark of conduct, and natures order. However, Hemingway presents the younger fishermen as suppliers of shark liver-coloreds for Americas cod liver oil industry, who utilize their profits to buy motorized boats and mechanized equipment, and approach their fishing as a way to progress their material circumstances.